Nordic Symphonies

Nordic Symphonies
Composer Carl Nielsen, Edvard Hagerup Grieg, Hugo Alfvén, Jean Sibelius, Johan Svendsen, Wilhelm Stenhammar
Artist Berliner Sinfonie-Orchester
Kurt Sanderling conductor
Janáček Philharmonic Orchestra
Theodore Kuchar conductor
Bournemouth Symphony Orchestra
Bjarte Engset conductor
Royal Scottisch National Orchestra
Niklas Willén, Petter Sundkvist conductors
Malmö Symphony Orchestra
Bjarte Engset conductor
Format 10 CD
Cat. number 96936
EAN code 5028421969367
Release February 2024

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About this release

From the outset of his career, Jean Sibelius was recognised as an outstanding representative of a musical language perceived as typically Finnish. He is considered the Nordic composer, in whose works the never-ending expanses of the “land of a thousand lakes” are reflected. In Finland, as a result of many years of foreign rule, the dawn of the 20th century saw a veritable outbreak of nationally inspired artistic activities., It was a time of cultural and national self-discovery for Sibelius, too. He allowed himself be stimulated by the whole of Finland’s folklore tradition, without resorting to specific examples of folksong: “There is a prevalent false opinion that many of my themes are folk melodies. But up to now I have never utilised a theme that was not of my own invention.” Not until the age of 34 did Sibelius venture onto the slippery surface of symphonic composition; his symphonies are interpreted as musical expressions of the austere, inscrutable Nordic landscape, constructed as expansive fantasies.

For many years, Carl Nielsen was viewed outside his native Denmark as the poor cousin of his more famous Scandinavian counterparts, Grieg and Sibelius. Yet his achievements as Denmark’s greatest symphonist of the 20th century were, if anything, even more remarkable than the successes of his geographical neighbours. Nielsen’s symphonic output is some of the most remarkable of its time. Although he was trained at the Copenhagen Conservatoire in the strict tradition of the Viennese Classicists, he ultimately rejected the philosophies and styles that consumed so many of his contemporaries

The Norwegian conductor and composer Johann Svendsen was born in 1840 in Christiania (now Oslo). At the age of 21 Svendsen set out to tour Sweden and North Germany as a violinist, and the Swedish-Norwegian consul was impressed enough by Svendsen’s playing to arrange a scholarship for him to study from 1863 at the Leipzig Conservatory, where his teachers included the violinist Ferdinand David and the composer and pianist Carl Reinecke. It was there in 1867 that he finished his Symphony No.1 in D major Op.4, a work that Grieg later described as showing scintillating genius, superb national feeling and really brilliant handling of an orchestra. In 1872 Svendsen returned to Christiania beginning a fruitful period that saw the creation of his Symphony No.2 in B flat major Op.15.

The music of Hugo Alfvén has always been close to the hearts of the Swedish people. More than any other composer he is regarded as representing the spirit of the country. This might also be due to the fact that for many years he lived in Dalecarlia, the province where genuine folk music tradition is at its strongest. While many music lovers know Alfvén best as the popular, cheerful entertainer in compositions such as Midsommarvaka (‘Midsummer Vigil’) (the best known piece of Swedish music outside Sweden), his five symphonies and his symphonic poems reveal a different, more elegiac and often more dramatic side. His First Symphony (1897) has a melancholy Sturm und Drang mood that recurs at intervals in his later compositions, but there is also a life affirming side that flourished in his Second Symphony, two years later.
When Alfvén began to plan a third symphony, he felt he needed a change of surroundings and chose Italy, the nature and culture of which had impressed him strongly during earlier visits. It was in Sori, just outside Genoa, that the Third Symphony began to take shape, and it became one of his most brilliant and harmonious creations. Alfvén says of it: “The symphony has no programme, it depicts neither concrete nor abstract. It is an expression of the joy of living, an expression of the sun-lit happiness that filled my whole being”.

In the early spring of 1892 Wilhelm Stenhammar made his debut in Stockholm in four different capacities: as a piano soloist with orchestra, as a recitalist, as a chamber musician and as a composer. But it was in Sweden’s second city, where he had been made artistic director of the orchestra in 1907, that his Symphony Op.34 saw the light of day: dedicated to “my dear friends, the members of the Göteborg Symphony Orchestra”. He was to remain as chief conductor until 1922. That symphony, which had its first performance under the composer’s direction on 22 April 1915, was in fact Stenhammar’s second and is today called Symphony No.2, even if the composer himself never gave it that number.

“No symphony has been hedged about with so many reservations as the 20-year-old Edvard Grieg’s ‘forbidden’ Symphony in C minor. But there were no such reservations about our work in recording it!”, recounts Bjarte Engeset, who conducts it in the set. “From the first bar we were caught up in its positive, youthful energy, and by the potential of its many fresh musical ideas.” During the Symphony’s 113-year enchanted sleep since Grieg’s withdrawal of it, scholar after scholar has written about it disparagingly, with much discussion of the Symphony’s style, all too often based on the question: what are its unoriginal or unsuccessful features? But it was Grieg himself who began the tradition with his admonition that it “must never be performed”. Now, however, very few feel, on moral grounds, that the work should not be performed. There is a strong argument that today we have the right to investigate things of which artists themselves were not wholly conscious. “The energy in the Symphony makes me want to devote all my musical skill to it,” Engeset exclaims, “and be able to say, ‘Edvard, listen to this, listen to this: is this not good music?’”

Other information:
- Recordings date from 1970–2005
- Booklet in English contains extensive liner notes, on the Sibelius by Christiane Krautscheid and Bernhard Lenort, on the Nielsen by David Doughty, on the Svendsen by Keith Anderson, on the Alfvén by Sven Kruckenberg, on the Stenhammar by Per-Gösta Bergfors, and on the Grieg by conductor Bjarte Engeset

- This generous 10 CD set presents a comprehensive collection of symphonies written by Nordic composers: Sibelius (1865-1957), Grieg (1843-1907), Stenhammar (1871-1927), Alfvén (1872-1960), Nielsen (1865-193)and Svendsen (1840-1911).
- Their Symphonies hold a unique place in music history, blending lush melodies with the evocative power of nature. They drew inspiration from their rugged landscapes, infusing their works with a deep connection to their Nordic roots, enriching the classical repertoire with unparalleled emotional depth.
- The set presents the complete 7 symphonies by Sibelius and 6 symphonies by Nielsen, and a selection of symphonies by Svendsen, Stenhammar, Alfvén and Grieg.
- Excellent performances by the Berliner Sinfonie-Orchester/Kurt Sanderling (Sibelius), Janáček Philharmonic Orchestra/Theodore Kuchar (Nielsen: “10/10” performance/recording on Classicstoday.com), the Bournemouth Symphony Orchestra, the Royal Scottish National Orchestra and Malmö Symphony Orchestra.

Listening

Track list

Disk 1

  1. Jean Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante ma non troppo – Allegro energico
  2. Jean Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento)
  3. Jean Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro
  4. Jean Sibelius: Symphony No. 1 in E Minor, Op. 39: IV. Finale (Quasi una fantasia). Andante – Allegro
  5. Jean Sibelius: En saga, Op. 9
  6. Jean Sibelius: Finlandia, Op. 26

Disk 2

  1. Jean Sibelius: Symphony No. 2 in D Major, Op. 43: I. Allegretto
  2. Jean Sibelius: Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato
  3. Jean Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo –
  4. Jean Sibelius: Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato
  5. Jean Sibelius: Symphony No. 3 in C Major, Op. 52: I. Allegro moderato
  6. Jean Sibelius: Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto
  7. Jean Sibelius: Symphony No. 3 in C Major, Op. 52: III. Moderato – Allegro ma non tanto

Disk 3

  1. Jean Sibelius: Symphony No. 4 in A Minor, Op. 63: I. Tempo molto moderato, quasi adagio
  2. Jean Sibelius: Symphony No. 4 in A Minor, Op. 63: II. Allegro molto vivace
  3. Jean Sibelius: Symphony No. 4 in A Minor, Op. 63: III. II tempo largo
  4. Jean Sibelius: Symphony No. 4 in A Minor, Op. 63: IV. Allegro
  5. Jean Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato – Allegro moderato
  6. Jean Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto
  7. Jean Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto un pochettino largamente

Disk 4

  1. Jean Sibelius: Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato
  2. Jean Sibelius: Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato
  3. Jean Sibelius: Symphony No. 6 in D Minor, Op. 104: III. Poco vivace
  4. Jean Sibelius: Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto
  5. Jean Sibelius: Symphony No. 7 in C Major, Op. 105
  6. Jean Sibelius: Night Ride and Sunrise, Op. 55

Disk 5

  1. Carl Nielsen: Symphony No. 1 in G Minor, Op. 7 FS 16: I. Allegro orgoglioso
  2. Carl Nielsen: Symphony No. 1 in G Minor, Op. 7 FS 16: II. Andante
  3. Carl Nielsen: Symphony No. 1 in G Minor, Op. 7 FS 16: III. Allegro comodo
  4. Carl Nielsen: Symphony No. 1 in G Minor, Op. 7 FS 16: IV. Finale. Allegro con fuoco
  5. Carl Nielsen: Symphony No. 2, Op. 16 FS 29: I. Allegro collerico
  6. Carl Nielsen: Symphony No. 2, Op. 16 FS 29: II. Allegro comodo e flemmatico
  7. Carl Nielsen: Symphony No. 2, Op. 16 FS 29: III. Andante malincolico
  8. Carl Nielsen: Symphony No. 2, Op. 16 FS 29: IV. Allegro sanguinoso

Disk 6

  1. Carl Nielsen: Symphony No. 3, Op. 27 FS 60: I. Allegro espansivo
  2. Carl Nielsen: Symphony No. 3, Op. 27 FS 60: II. Andante pastorale
  3. Carl Nielsen: Symphony No. 3, Op. 27 FS 60: III. Allegretto un poco
  4. Carl Nielsen: Symphony No. 3, Op. 27 FS 60: IV. Finale. Allegro
  5. Carl Nielsen: Symphony No. 4, Op. 29 FS 76: I. Allegro –
  6. Carl Nielsen: Symphony No. 4, Op. 29 FS 76: II. Poco allegretto
  7. Carl Nielsen: Symphony No. 4, Op. 29 FS 76: III. Poco adagio quasi andante –
  8. Carl Nielsen: Symphony No. 4, Op. 29 FS 76: IV. Allegro

Disk 7

  1. Carl Nielsen: Symphony No. 5, Op. 50 FS 97: I. Tempo giusto
  2. Carl Nielsen: Symphony No. 5, Op. 50 FS 97: II. Allegro
  3. Carl Nielsen: Symphony No. 6, FS 116 “sinfonia semplice”: I. Tempo giusto
  4. Carl Nielsen: Symphony No. 6, FS 116 “sinfonia semplice”: II. Humoreske. Allegretto
  5. Carl Nielsen: Symphony No. 6, FS 116 “sinfonia semplice”: III. Proposta seria. Adagio
  6. Carl Nielsen: Symphony No. 6, FS 116 “sinfonia semplice”: IV. Theme & Variations. Allegro

Disk 8

  1. Johan Svendsen: Symphony No. 1 in D Major, Op. 4: I. Molto allegro
  2. Johan Svendsen: Symphony No. 1 in D Major, Op. 4: II. Andante1
  3. Johan Svendsen: Symphony No. 1 in D Major, Op. 4: III. Allegretto scherzando
  4. Johan Svendsen: Symphony No. 1 in D Major, Op. 4: IV. Finale. Maestoso – Allegro assai con fuoco
  5. Johan Svendsen: Symphony No. 2 in B-Flat, Op. 15: I. Allegro
  6. Johan Svendsen: Symphony No. 2 in B-Flat, Op. 15: II. Andante sostenuto
  7. Johan Svendsen: Symphony No. 2 in B-Flat, Op. 15: III. Intermezzo. Allegro giusto
  8. Johan Svendsen: Symphony No. 2 in B-Flat, Op. 15: IV. Finale. Andante – Allegro con fuoco

Disk 9

  1. Hugo Alfvén: Symphony No. 1 in F Minor, Op. 7: I. Grave - Allegro con brio
  2. Hugo Alfvén: Symphony No. 1 in F Minor, Op. 7: II. Andante
  3. Hugo Alfvén: Symphony No. 1 in F Minor, Op. 7: III. Allegro molto scherzando
  4. Hugo Alfvén: Symphony No. 1 in F Minor, Op. 7: IV. Allegro ma non troppo
  5. Hugo Alfvén: Symphony No. 3 in E Major, Op. 23: I. Allegro con brio
  6. Hugo Alfvén: Symphony No. 3 in E Major, Op. 23: II. Andante
  7. Hugo Alfvén: Symphony No. 3 in E Major, Op. 23: III. Presto
  8. Hugo Alfvén: Symphony No. 3 in E Major, Op. 23: IV. Allegro con brio

Disk 10

  1. Wilhelm Stenhammar: Symphony No. 2, Op. 34: I. Allegro energico
  2. Wilhelm Stenhammar: Symphony No. 2, Op. 34: II. Andante
  3. Wilhelm Stenhammar: Symphony No. 2, Op. 34: III. Scherzo
  4. Wilhelm Stenhammar: Symphony No. 2, Op. 34: IV. Finale
  5. Edvard Hagerup Grieg: Symphony in C Minor, EG 119: I. Allegro molto
  6. Edvard Hagerup Grieg: Symphony in C Minor, EG 119: II. Adagio espressivo
  7. Edvard Hagerup Grieg: Symphony in C Minor, EG 119: III. Intermezzo
  8. Edvard Hagerup Grieg: Symphony in C Minor, EG 119: IV. Finale. Allegro molto vivace