Fernando Sor (1778–1839) was a Spanish guitarist and composer often regarded as the “Beethoven of the guitar” for the refinement and expressive range of his music. Trained in Barcelona, Sor first pursued a broader career in opera and instrumental music before turning decisively to the guitar, an instrument that, during his lifetime, was gaining recognition in concert halls and private salons alike. After political upheaval forced him into exile, Sor settled in Paris and later London, where he became one of the most respected guitarists and teachers of his era. His works display a mastery of classical form, elegance of melody, and a distinctive clarity that continues to captivate audiences and players today.
Among his many works for guitar, the Pièces de société hold a special place. Published in 1830 in Paris, this collection was conceived not only for professional musicians but also for the flourishing amateur market. The title itself—literally “pieces for society”—reflects their social function: short, charming works intended to be played in intimate gatherings, where the guitar was often a centerpiece of musical entertainment. The pieces range from graceful minuets and waltzes to lyrical romances, each showcasing Sor’s gift for combining accessible textures with subtle sophistication.
While technically approachable, the Pièces de société still embody Sor’s characteristic elegance: balanced phrasing, inventive harmonic progressions, and refined voice leading. They illustrate how Sor adapted his art to the tastes of the salon without compromising musical quality. Today, these works provide valuable insight into nineteenth-century guitar culture and remain staples in the repertoire of students and professionals alike.
Played by Leonardo De Marchi, one of the foremost guitar players of Italy.
