The Medieval Piper

The Medieval Piper
Artist Silke Gwendolyn Schulze medieval winds & percussion
Format 1 CD
Cat. number 95566
EAN code 5028421955667
Release November 2017

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About this release

A specialist in wind instruments from the Medieval and Renaissance eras, Silke Gwendolyn Schulze takes listeners on a journey into the musical past of the courts and country fairs of Western Europe in the Middle Ages. Though little direct evidence has come down to us about individual composers and the instruments they played, she combines painstaking research and a vivid musical imagination to recreate the world of the aristocratic singer–poets and itinerant musicians – the troubadours and minstrels – who were an important part of every facet of cultural life at the time.

Knowledge of these musicians’ social patterns, illustrations of instruments and manuscripts of vocal music and wordless dances have informed Schulze’s reconstruction of the theoretical repertoire of one imaginary Medieval piper – the songs he would have learned, memorised and performed for the entertainment of others.

She performs a varied programme of pieces, some by great names of Medieval music such as Hildegard von Bingen and Guillaume de Machaut, some by documented courtly troubadours like Jehan Erart and Guiraut Riquier, some even posited to be by the King of Castile and Leon himself, Alfonso el Sabio, using a wide array of period wind instruments including pipe & tabor, two tabor pipes, pipe & triangle, six-hole flute, recorder, double recorder, shawm and douçaine.

A fascinating program conjuring up the life of a medieval piper, travelling the country to entertain at Royal weddings, tournaments, religious councils, court sittings and annual fairs, carrying a plethora of melodies and instruments.
The pieces on this new recordings are based on vocal source material, which is mainly taken from the “Manuscrit du Roi”, the “Chansonnier de Vallière” and the “Cantigas de Santa Maria” collection. Taking the text and vocal forms that underpin them as starting point the artist instrumented some of the pieces based on the individual features and playability of the instruments in question. As many of the musical parameters are not notated down in the manuscripts much is left to free imagination and improvisation, no doubt fully in style with the original performances.
Silke Gwendolyn Schulze is specialized in the research and performance of Medieval music. She uses the following instruments: pipe, triangle, tabor, shawm, double recorder, douçaine.

Track list

Disk 1

  1. ?Alfonso el Sabio: Virgen madre groriosa
  2. Anonymous: La seconde estampie royal
  3. Pons d'Ortafas: Si ay perdut mon saber
  4. Jehan de Lescurel: Comment que, pour l’eloignance
  5. Marcabru: Bel m’es quan sunt li fruit madur
  6. Anonymous: Saltarello
  7. Anonymous: Che ti zova nascondere
  8. Gherardello da Firenze: I’ vo’ bene
  9. ?Alfonso el Sabio: Santa Maria amar
  10. ?Alfonso el Sabio: Muito demostra a virgen
  11. ?Alfonso el Sabio: Como poden per sas culpas
  12. Comtessa de Dia: A chantar m’es al cor
  13. Guillaume de Machaut: Sans cuer, dolent de vous departiray
  14. Guillaume de Machaut: Dou mal qui m’a longuement
  15. Hildegard Von Bingen: Ave generosa
  16. Jehan Erart: Par un tres bel jour de mai
  17. ?Alfonso el Sabio: Non sofre Santa Maria
  18. ?Alfonso el Sabio: Aquela que a seu Fillo
  19. Berenguier de Palazol: Tant m’abelis ioys e amors e chans
  20. Anonymous: Trotto
  21. Anonymous: Benedicamus sane per omnia
  22. ?Alfonso el Sabio: Quen a omagen da virgin
  23. Jehan Erart: Dehors loncpre el boschel
  24. Guiraut Riquier: Tant m’es plazens le mal d’amor
  25. ?Alfonso el Sabio: Como somos per conssello do demo perdudos

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